Review: The Exorcism (2024)

We’re already in June and the year so far has been especially demonic as far as the horror genre is concerned, but nothing new has been brought to the table, or pentagram. However, director and screenwriter Joshua John Miller makes a fair effort toward originality with The Exorcism – in which a troubled actor, played

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Oh, the evil of it all! – THE FIRST OMEN (2024) review

Not including the 2006 remake, 20th Century Fox laid The Omen series to rest in 1991 with the made-for-television feature, Omen IV: The Awakening, and in the year that followed, Whoopie Goldberg re-energized Catholicism with the musical comedy, Sister Act. Over the subsequent decades, studios have merged, nuns are now scary, and a franchise is

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Welcome to Primetime: Late Night with the Devil (2023) – review

Melbourne’s Dockland Studios opened in 2004, as a bold artistic representation of the city’s growing ambition to be on the world stage and to claw back some lucrative media position from rival locations. Ghost Rider (2005) was the first major American film shot at the new location and quickly became the highest-grossing film made in

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Review: Immaculate (2024)

Satan is on the prowl in theatres with The First Omen followed by Late Night with the Devil opening next month, and currently, screening is the new psychological horror, Immaculate – released on March 21st across Australia through Rialto Distribution. Sister Cecilia (Sydney Sweeney) travels to Italy on invitation to join a convent located in

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Review: Bottoms (2023)

During September, I resigned myself to the sad reality of not being able to see Bottoms in theatres, but by a stroke of good fortune, my small-town multiplex, gave the LGBT comedy a brief run with semi-convenient session times for its November 30th Australian release. In a violent scheme to bed some babes before graduation,

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