Review: Mixed Nuts (1994)

With the arrival of December comes the mandatory viewing of Christmas movies for many who embrace the festive spirit. I personally like to make an effort to seek out lesser-known titles from the holiday back catalogue, and as luck would have it, Shock Entertainment have re-issued the ensemble comedy Mixed Nuts on DVD. Based on

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Review: Better Watch Out (2017)

Sometimes the selfless plight of George Bailey in It’s a Wonderful Life or Cousin Eddie emptying his shitter in Christmas Vacation isn’t enough for one’s seasonal viewing, despite their timeless quality. There needs to be variety among titles, particularly something of a darker nature, still embodying the festive charm. So allow me to introduce Better

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Holiday Classic: Planes, Trains & Automobiles (1987)

Over the years, I’ve developed a rather strict habit of not watching holiday-themed movies outside their designated time, and while I have been lenient with Planes, Train & Automobiles in the past, it has now become a permanent fixture of late November for this Australian film fanatic since enjoying Thanksgiving and all its wholesome traditions.

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Umbrella Entertainment: The Return of Captain Invincible (1983)

You probably didn’t know that not only is The Return of Captain Invincible an Australian film, but our very first superhero movie (not to mention a rare hybrid musical to boot). Dwelling in the abysses of alcoholism, a retired Captain Invincible, played by American actor Alan Arkin, has been living in Australia long since his

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Cinema Cult: 8MM (1999)

Among us collectors of physical media, speculation mounts each month over which titles Cinema Cult will be adding to their ever-expanding catalogue. One of the two latest acquisitions for November was surprisingly Joel Schumacher’s overlooked thriller 8MM, an ideal selection from the Australian-based label and a fixture of cinema’s darker side. Years before he seized

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Review: Sleepy Hollow (1999)

Fitting in nicely with the film’s optimistic ending in which our trio of heroes arrive in a new century, Sleepy Hollow ushered Australian movie-goers into the new millennium, opening in cinemas on New Year’s Day. I was on school holidays during a particularly hot summer, and I went to see Tim Burton’s gothic mystery with

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